Recordings

Ceremony – Hosokawa, Prokofiev, Rouse

Emmanuel Pahud, flute
Dresdner Philharmonie
Jonathan Stockhammer, conductor

“Pahud’s latest album comprises three works that, between them, are a persuasive overview of the flute’s latter-day capabilities. Excellent playing by the Dresden Philharmonic under the direction of Jonathan Stockhammer further enhances an enterprising release.” – Gramophone

Joanna Wozny – brown, fizzled out (2013/2014) for ensemble

Ensemble Ascolta
Jonathan Stockhammer, conductor

‘brown, fizzled out’ and other works by Joanna Woźny bring music which is fragmented, elusive, and constantly evolving, drawing vitality from everyday noise. Her compositions blur the lines between sound and noise, sense and abstraction, dissolving structure into ongoing process. Each piece becomes an open inquiry into presence, perception, and the delicate links between inner and outer worlds.

Thierry Pécou – Cara Bali Concerto

Alexandre Tharaud, piano
Orchestre National de Lyon
Jonathan Stockhammer, conductor

“I don’t like museums, I like works to be alive… That’s also our role, to push boundaries, to shake things up a bit.” – Alexandre Tharaud

Kaun – Symphony No. 3, Symphonic poems: Minnehaha, Hiawatha

Rundfunk-Sinfonieorchester Berlin
Jonathan Stockhammer, conductor

“Balanced tempi which are not mechanically maintained, subtle rubati in appropriate places, a lyrical approach, careful realisation of articulation and a consistently well-balanced orchestral sound testify to the fact that Hugo Kaun has found a capable and prudent advocate in Jonathan Stockhammer.” – Klassik Heute

“The Rundfunk-Sinfonieorchester Berlin delivers an absolute tour de force in these lush orchestral movements under the direction of the American conductor Jonathan Stockhammer. The sound is very uniform and rounded, sometimes powerful, sometimes soft and delicate, the development always very natural.” – Klassik.com

Lys

Mari Samuelsen, violin
Scoring Berlin Orchestra
Jonathan Stockhammer, conductor

“Mari Samuelsen’s tribute LP to female composers, including Beyonce, is stellar.” – Goldmine Magazine

Jorge E. López — Works for Ensemble

Kampfhandlungen/Traumhandlungen Op. 11
II. Kammersymphonie Op. 23 – A végső Tavasz

Leslie Leon, soprano
Collegium Novum Zürich
Jonathan Stockhammer, conductor

“Simply superb readings: a richness of timbre and technical precision, at times with unhinged virtuosity. Jonathan Stockhammer is a safeguard in tackling such demanding repertoire.” – Mundo Clasico

Mari

Mari Samuelsen, violin
Konzerthausorchester Berlin
Jonathan Stockhammer, conductor

“Standout moments include Vasks’s haunting Lonely Angel, high-altitude solo lines against a backdrop of gently rising and falling string accompaniment and affect-laden glissandos, and Jóhannsson’s tender Good Night, Day, adequately supported by the Konzerthausorchester Berlin under Jonathan Stockhammer.” – Gramophone

Thierry Pécou — Orchestral Works

Orquoy
Changó
Marcha de la Humanidad

Orchestre National de France
Jonathan Stockhammer, conductor

“A terrific sonic spectacle.” – MusicWeb International

Abrahamsen – Zählen und Erzählen

Tamara Stefanovich, piano
WDR Sinfonieorchester Köln
Jonathan Stockhammer, conductor

“The whole disc coheres in an unusual and genuinely surprising way.” – The Guardian

“The collaboration between Stefanovich, the orchestra, and conductor Jonathan Stockhammer proves an all-around triumph.” – Music & Literature

Thierry Pécou — Les Liaisons magnétiques

Ensemble Resonanz
Jonathan Stockhammer, conductor

Diapason *****